Pianola: Raven
Creative Team
Choreographer
Eliot Feld
Lighting Designer
Running Time
25 min
Music
Composer
Composition
Studies for Player Piano, nos. 6, 11, 12, 18, 21, 27
Notes
Music Realized by Trimpin.
The American composer Conlon Nancarrow (1912-1997) moved to Mexico and settled in a suburb of Mexico City in 1940, where for the next 50 plus years he composed his revolutionary “Studies for Player Piano”.
James Tenney (composer/teacher/pianist) says “Nancarrow’s decision to concentrate all of his efforts in the one medium was made after several years of frustration in trying to get his earlier instrumental pieces played accurately. Nancarrow’s choice of player piano permitted his investigation of countless new possibilities in the areas of rhythm, tempo, texture, polyphonic perception and form. I predict that 21st century historians will rank Conlon Nancarrow’s “Studies for Player Piano” with the most innovative works of Ives, Schoenberg, Stravinsky, Webern, Varese, Partch, Cage, Xenakis – and perhaps a very few others – as the most significant works composed since 1900.”
Composer/Sculptor Trimpin has a long history with Nancarrow’s music. Nancarrow permitted Trimpin to make MIDI transcriptions of all of the “Studies for Player Piano” from the original piano rolls. Trimpin then created a device – the vorsetzer – that fits over the keyboard of a standard piano and plays these MIDI transcriptions. The vorsetzer is essentially an electro-mechanical pianola, which replicates exactly the music on the original rolls.
Premiere
Date
April 11, 2002Location
Joyce Theater (New York, NY)Company
Ballet TechPremiere Cast
Media
Copyright Notice
The choreography for Pianola: Raven is in the public domain. If you are interested in viewing the full-length video(s), either for research purposes or for the purpose of staging the ballet, access to full length video(s) may be obtained by request. Access may be requested by clicking on the thumbnail(s) below.
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